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Dhammapada · narration sample

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On Old Age · 18 of 23

Section 18

18.But throughout my discourse remember that my panegyric applies to an old age that has been established on foundations laid by youth. From which may be deduced what I once said with universal applause, that it was a wretched old age that had to defend itself by speech. Neither white hairs nor wrinkles can at once claim influence in themselves: it is the honourable conduct of earlier days that is rewarded by possessing influence at the last. Even things generally regarded as trifling and matters of course—being saluted, being courted, having way made for one, people rising when one approaches, being escorted to and from the forum, being referred to for advice—all these are marks of respect, observed among us and in other States—always most sedulously where the moral tone is highest. They say that Lysander the Spartan, whom I have mentioned before, used to remark that Sparta was the most dignified home for old age; for that nowhere was more respect paid to years, no-where was old age held in higher honour. Nay, the story is told of how when a man of advanced years came into the theatre at Athens when the games were going on, no place was given him anywhere in that large assembly by his own countrymen; but when he came near the Lacedaemonians, who as ambassadors had a fixed place assigned to them, they rose as one man out of respect for him, and gave the veteran a seat. When they were greeted with rounds of applause from the whole audience, one of them remarked:

“The Athenians know what is right, but will not do it.” There are many excellent rules in our augural college, but among the best is one which affects our subject—that precedence in speech goes by seniority; and augurs who are older are preferred only to those who have held higher office, but even to those who are actually in possession of imperium. What then are the physical pleasures to be compared with the reward of influence? Those who have employed it with distinction appear to me to have played the drama of life to its end, and not to have broken down in the last act like unpractised players.

But, it will be said, old men are fretful, fidgety, ill-tempered, and disagreeable. If you come to that, they are also avaricious. But these are faults of character, not of the time of life. And, after all, fretfulness and the other faults I mentioned admit of some excuse—not, indeed, a complete one, but one that may possibly pass muster: they think themselves neglected, looked down upon, mocked, Besides with bodily weakness every rub is a source of pain. Yet all these faults are softened both by good character and good education. Illustrations of this may be found in real life, as also on the stage in the case of the brothers in the Adeiphi. What harshness in the one, what gracious manners in the other The fact is that, just as it is not every wine, so it is not every life, that turns sour from keeping, Serious gravity I approve of in old age, but, as in other things, it must be within due limits: bitterness I can in no case approve. What the object of senile avarice may be I cannot conceive. For can there be anything more absurd than to seek more journey money, the less there remains of the journey?