The Secret Teachings of All Ages · 100 of 236
The Sacred Bull, or Apis
The importance of the bull as the symbol of the sun at the vernal equinox is discussed in the chapter on The Zodiac and Its Signs. The bull and the ox are ancient emblems of the element of earth--consequently of the planet itself. They also signify the animal nature of man, and for this reason were sacrificed upon the altars of such ancient Mysteries as the Jewish and Druidic. Plutarch wrote: "The Apis ought to be regarded by us, as a fair and beautiful image of the soul of Osiris." Osiris represents the spiritual nature of the lower world which is murdered and distributed throughout the substance of the physical spheres; Apis is the emblem of the material world within which is the spiritual nature--Osiris. The Apis is also the symbol of the exoteric (or profane) doctrine, in contradistinction to the esoteric (or divine) teachings represented by the uræus worn upon the foreheads of the priests. Front this is derived the mythological allegory of Serapis, who in a certain sense is not only the composite figure of Osiris and the lower world in which he is incarnated but also of the Mysteries, which are the terrestrial bodies containing the secret teachings, or the spiritual soul.
depiction of the Sun Man who is the scapegoat of the world and upon whom are cast the sins of the twelve houses (tribes) of the celestial universe. Truth is the Divine Lamb worshiped throughout pagandom and slain for the sins of the world, and since the dawn of time the Savior Gods of all religions have been personifications of this Truth. The Golden Fleece sought by Jason and his Argonauts is the Celestial Lamb--the spiritual and intellectual sun. The secret doctrine is also typified by the Golden Fleece--the wool of the Divine Life, the rays of the Sun of Truth. Suidas declares the Golden Fleece to have been in reality a book, written upon skin, which contained the formulæ for the production of gold by means of chemistry. The Mysteries were institutions erected for the transmutation of base ignorance into precious illumination. The dragon of ignorance was the terrible creature set to guard the Golden Fleece, and represents the darkness of the old year which battles with the sun at the time of its equinoctial passage.
Deer were sacred in the Bacchic Mysteries of the Greeks; the Bacchantes were often clothed in fawnskins. Deer were associated with the worship of the moon goddess and the Bacchic orgies were usually conducted at night. The grace and speed of this animal caused it to be accepted as the proper symbol of esthetic abandon. Deer were objects of veneration with many nations. In Japan, herds of them are still maintained in connection with the temples.
The wolf is usually associated with the principle of evil, because of the mournful discordance of its howl and the viciousness of its nature. In Scandinavian mythology the Fenris Wolf was one of the sons of Loki, the infernal god of the fires. With the temple of Asgard in flames about them, the gods under the command of Odin fought their last great battle against the chaotic forces of evil. With frothing jowls the Fenris Wolf devoured Odin, the Father of the Gods, and thus destroyed the Odinic universe. Here the Fenris Wolf represents those mindless powers of Nature that overthrew the primitive creation.
The unicorn, or monoceros, was a most curious creation of the ancient initiates. It is described by Thomas Boreman as "a beast, which though doubted of by many writers, yet is by others thus described: He has but one horn, and that an exceedingly rich one, growing out of the middle of his forehead. His head resembles an hart's, his feet an elephant's, his tail a boar's, and the rest of his body an horse's. The horn is about a foot and half in length. His voice is like the lowing of an ox. His mane and hair are of a yellowish colour. His horn is as hard as iron, and as rough as any file, twisted or curled, like a flaming sword; very straight, sharp, and every where black, excepting the point. Great virtues are attributed to it, in expelling of poison and curing of several diseases. He is not a beast of prey. " (See Redgrove's Bygone Beliefs.)
While the unicorn is mentioned several times in Scripture, no proof has yet been discovered of its existence. There are a number of drinking horns in various museums presumably fashioned from its spike. It is reasonably certain, however, that these drinking vessels were really made either from the tusks of some large mammal or the horn of a rhinoceros. J. P. Lundy believes that the horn of the unicorn symbolizes the hem of salvation mentioned by St. Luke which, pricking the hearts of men, turns them to a consideration of salvation through Christ. Mediæval Christian mystics employed the unicorn as an emblem of Christ, and this creature must therefore signify the spiritual life in man. The single horn of the unicorn may represent the pineal gland, or third eye, which is the spiritual cognition center in the brain. The unicorn was adopted by the Mysteries as a symbol of the illumined spiritual nature of the initiate, the horn with which it defends itself being the flaming sword of the spiritual doctrine against, which nothing can prevail.
In the Book of Lambspring, a rare Hermetic tract, appears an engraving showing a deer and a unicorn standing together in a wood. The picture is accompanied by the following text: "The Sages say truly that two animals are in this forest: One glorious, beautiful, and swift, a great and strong deer; the other an unicorn. * * * If we apply the parable of our art, we shall call the forest the body. * * * The unicorn will be the spirit at all times. The deer desires no other name but that of the soul; * * *. He that knows how to tame and master them by art, to couple them together, and to lead them in and our of the form, may justly be called a Master."
The Egyptian devil, Typhon, was often symbolized by the Set monster whose identity is obscure. It has a queer snoutlike nose and pointed ears, and may have been a conventional hyena. The Set monster lived in the sand storms and wandered about the world promulgating evil. The Egyptians related the howling of the desert winds with the moaning cry of the hyena. Thus when in the depths of the night the hyena sent forth its doleful wail it sounded like the last despairing cry of a lost soul in the clutches of Typhon. Among the duties of this evil creature was that of protecting the Egyptian dead against: grave robbers.
Among other symbols of Typhon was the hippopotamus, sacred to the god Mars because Mars was enthroned in the sign of Scorpio, the house of Typhon. The ass was also sacred to this Egyptian demon. Jesus riding into Jerusalem upon the back of an ass has the same significance as Hermes standing upon the prostrate form of Typhon. The early Christians were accused of worshiping the head of an ass. A most curious animal symbol is the hog or sow, sacred to Diana, and frequently employed in the Mysteries as an emblem of the occult art. The wild boar which gored Atys shows the use of this animal in the Mysteries.
According to the Mysteries, the monkey represents the condition of man before the rational soul entered into his constitution. Therefore it typifies the irrational man. By some the monkey is looked upon as a species not ensouled by the spiritual hierarchies; by others as a fallen state wherein man has been deprived of his divine nature through degeneracy. The ancients, though evolutionists, did not trace man's ascent through the monkey; the monkey they considered as having separated itself from the main stem of progress. The monkey was occasionally employed as a symbol of learning. Cynocephalus, the dog-headed ape, was the Egyptian hieroglyphic symbol of writing, and was closely associated with Thoth. Cynocephalus is symbolic of the moon and Thoth of the planet Mercury. Because of the ancient belief that the moon followed Mercury about the heavens the dog-ape was described as the faithful companion of Thoth.
The dog, because of its faithfulness, denotes the relationship which should exist between disciple and master or between the initiate and his God. The shepherd dog was a type of the priestcraft. The dog's ability to sense and follow unseen persons for miles symbolized the transcendental power by which the philosopher follows the thread of truth through the labyrinth of earthly error. The dog is also the symbol of Mercury. The Dog Star, Sirius or Sothis, was sacred to the Egyptians because it presaged the annual inundations of the Nile.
As a beast of burden the horse was the symbol of the body of man forced to sustain the weight of his spiritual constitution. Conversely, it also typified the spiritual nature of man forced to maintain the burden of the material personality. Chiron, the centaur, mentor of Achilles, represents the primitive creation which was the progenitor and instructor of mankind, as described by Berossus. The winged horse and the magic carpet both symbolize the secret doctrine and the spiritualized body of man. The wooden horse of Troy, secreting an army for the capture of the city, represents man's body concealing within it those infinite potentialities which will later come forth and conquer his environment. Again, like Noah's Ark, it represents the spiritual nature of man as containing a host of latent potentialities which subsequently become active. The siege of Troy is a symbolic account of the abduction of the human soul (Helena) by the personality (Paris) and its final redemption, through persevering struggle, by the secret doctrine--the Greek army under the command of Agamemnon.
ÆNEAS AND THE HARPIES.
From Virgil's Æneid. (Dryden's translation.)
Among the mythological creatures of the Mysteries were the harpies--projections into material substance of beings existing in the invisible world of Nature. They were described the Greeks as being composite, with the heads of maidens and the bodies of birds. The wings of the harpies were composed of metal and their flight was, accompanied by a terrible clanging noise. During his wanderings, Æneas, the Trojan hero, landed on the island of the harpies, where he and his followers vainly battled with these monsters. One of the harpies perched upon a cliff and there prophesied to Æneid that his attack upon them would bring dire calamity to the Trojans.