The Secret Teachings of All Ages · 178 of 236
Alchemical Symbolism
In alchemy there are three symbolic substances: mercury, sulphur, and salt. To these was added a fourth mysterious life principle called Azoth. Concerning the first three, Herr von Welling has written: "There are three basic chemical substances which are called by the philosophers salt, sulphur, and mercury, but which are not to be confounded in any way with the crude salt, sulphur, and mercury taken from the earth or secured from the apothecary. Salt, sulphur, and mercury each has a triune nature, for each of these substances contains, in reality, also the other two substances, according to the secret arcanum of the wise. The body of salt is, therefore, threefold, namely salt, sulphur, and mercury; but in the body of salt one of the three (salt) predominates. Mercury is likewise composed of salt, sulphur, and mercury with the latter element predominating. Sulphur, similarly, is actually salt, sulphur, and mercury, with sulphur predominating. These nine divisions--3 times 3, plus Azoth (the mysterious universal life force), equals 10, the sacred decad of Pythagoras. Concerning the nature of Azoth there is much controversy. Some view it as the invisible, eternal fire; others as electricity; still others as magnetism. Transcendentalism refer to it as the astral light.
"The universe is surrounded by the sphere of the stars. Beyond that sphere is the sphere of Schamayim, which is the Divine fiery water, the first outflow of the Word of God, the flaming river pouring from the presence of the Eternal. Schamayim, the fiery androgynous water, divides. The fire becomes the solar fire and the water becomes the lunar water. Schamayim is the universal mercury--sometimes called Azoth--the measureless spirit of life. The spiritual fiery original water--Schamayim--comes through Eden (in Hebrew, vapor) and pours itself into four main rivers [the elements]. This is the river of living water--Azoth [the fiery mercurial essence] that flows out from the throne of God and the Lamb. In this Eden [vaporous essence or mist] is the spiritual earth [incomprehensible and intangible], or the dust Aphar, out of which God formed Adam min Haadamah, the spiritual body of man, which body must sometime become revealed."
In another part of his writings von Welling also says that there was no material universe until Lucifer, attempting to perform the cosmic alchemy, misused the Schamayim, or the Divine Fire. In order to reestablish the Schamayim which Lucifer had perverted, this universe was formed as a means of liberating it from the dark cloud within which it was locked by the failure of Lucifer's attempt to control it. These statements clearly emphasize the fact that the early philosophers recognized in the Bible a book of chemical and alchemical formulæ. It is essential that this point be kept in mind at all times. Woe to that seeker who accepts as literal the rambling allegories of the alchemists. Such a one can never enter the inner sanctuary of truth. Elias Ashmole in his Theatrum Chemicum Britannicum thus describes the methods employed by the alchemists to conceal their true doctrines: "Their chiefest study was to wrap up their Secrets in Fables, and spin out their Fancies in Vailes and shadows, whose Radii seems to extend every way, yet so, that they meet in a Common Center, and point onely at One thing."
The fact that the Scriptures reveal a hidden knowledge, if considered allegorically, is clearly demonstrated by a parable describing King Solomon, his wives, concubines, and virgins, which parable occurs in Geheime Figuren der Rosenkreuzer, published in Ultona in 1785. Dr. Hartmann, who translated part of this work into English, declared that the wives of Solomon represented the arts, the concubines the sciences, and the virgins the still unrevealed secrets of Nature. By order of the King the virgins were forced to remove their veils, thus signifying that by means of wisdom (Solomon) the mystic arts were forced to disclose their hidden parts to the philosopher, while to the uninitiated world only the outside garments were visible. (Such is the mystery of the veil of Isis.)
As the alchemist must do his work in four worlds simultaneously if he would achieve the Magnum Opus, a table showing the analogies of the three principles in the four worlds may clarify the relationship which the various parts bear to each other. The early masters of the art of alchemical symbolism did not standardize either their symbols or their terms. Thus it required great familiarity with the subject combined with considerable intuitive power to unravel some of their enigmatical statements. The third and fourth divisions of the following table are given alternative renderings, owing to the fact that some authors did not draw a clear line between spirit and soul. According to the Scriptures, spirit is indestructible, but soul is destructible. Obviously, then, they are not synonymous. It is clearly stated that "the soul that sinneth, it shall die," but "the spirit shall return unto God who gave it." The table of analogies, as nearly as they can be established, is as follows:
The Triune Power in Four Worlds
Father
Son
Mother
1. God
Father
Son
Holy Ghost
2. Man
Spirit
Soul
Body
3. Elements
Air
Fire
Water
4. Chemicals
Mercury
Sulphur
Salt
The alternative renderings of 3 and 4 are:
Father
Son
Mother
3. Elements
Fire
Air
Water
4. Chemicals
Sulphur
Mercury
Salt
Paracelsus made a different arrangement, somewhat Aristotelian, in which the three phases of the Triune God are omitted, combining only the elements of the second, third, and fourth worlds:
Father
Son
Mother
2. Man
Spirit
Soul
Body
3. Elements
Air
Water
Earth
4. Chemicals
Sulphur
Mercury
Salt
The main point, however, is proved: the alchemical philosophers used the symbols of salt, sulphur, and mercury to represent not only chemicals but the spiritual and invisible principles of God, man, and the universe. The three substances (salt, sulphur, and mercury) existing in four worlds, as shown in the table, sum up to the sacred number 12. As these 12 are the foundations of the Great Work, they are called in Revelation the twelve foundation stones of the sacred city. In line with the same idea Pythagoras asserted that the dodecahedron, or twelve-faced symmetrical geometric solid, was the foundation of the universe. May there not be a relation also between this mysterious 3 times 4 and the four parties of three which in the legend of the third degree of Freemasonry go forth to the four angles of the cherubim, the composite creature of four parts?