Creative Evolution · 33 of 50

III · Creation and the Genesis of Matter

Is it extension in general that we are considering in abstracto? Extension, we said, appears only as a tension which is interrupted. Or, are we considering the concrete reality that fills this extension? The order which reigns there, and which is manifested by the laws of nature, is an order which must be born of itself when the inverse order is suppressed; a detension of the will would produce precisely this suppression. Lastly, we find that the direction, which this reality takes, suggests to us the idea of a thing unmaking itself; such, no doubt, is one of the essential characters of materiality. What conclusion are we to draw from all this, if not that the process by which this thing makes itself is directed in a contrary way to that of physical processes, and that it is therefore, by its very definition, immaterial? The vision we have of the material world is that of a weight which falls: no image drawn from matter, properly so called, will ever give us the idea of the weight rising. But this conclusion will come home to us with still greater force if we press nearer to the concrete reality, and if we consider, no longer only matter in general, but, within this matter, living bodies.

All our analyses show us, in life, an effort to remount the incline that matter descends. In that, they reveal to us the possibility, the necessity even of a process the inverse of materiality, creative of matter by its interruption alone. The life that evolves on the surface of our planet is indeed attached to matter. If it were pure consciousness, a fortiori if it were supra-consciousness, it would be pure creative activity. In fact, it is riveted to an organism that subjects it to the general laws of inert matter. But everything happens as if it were doing its utmost to set itself free from these laws. It has not the power to reverse the direction of physical changes, such as the principle of Carnot determines it. It does, however, behave absolutely as a force would behave which, left to itself, would work in the inverse direction. Incapable of stopping the course of material changes downwards, it succeeds in retarding it. The evolution of life really continues, as we have shown, an initial impulsion: this impulsion, which has determined the development of the chlorophyllian function in the plant and of the sensori-motor system in the animal, brings life to more and more efficient acts by the fabrication and use of more and more powerful explosives. Now, what do these explosives represent if not a storing-up of the solar energy, the degradation of which energy is thus provisionally suspended on some of the points where it was being poured forth? The usable energy which the explosive conceals will be expended, of course, at the moment of the explosion; but it would have been expended sooner if an organism had not happened to be there to arrest its dissipation, in order to retain it and save it up. As we see it to-day, at the point to which it was brought by a scission of the mutually complementary tendencies which it contained within itself, life is entirely dependent on the chlorophyllian function of the plant. This means that, looked at in its initial impulsion, before any scission, life was a tendency to accumulate in a reservoir, as do especially the green parts of vegetables, with a view to an instantaneous effective discharge, like that which an animal brings about, something that would have otherwise flowed away. It is like an effort to raise the weight which falls. True, it succeeds only in retarding the fall. But at least it can give us an idea of what the raising of the weight was.[90]

Let us imagine a vessel full of steam at a high pressure, and here and there in its sides a crack through which the steam is escaping in a jet. The steam thrown into the air is nearly all condensed into little drops which fall back, and this condensation and this fall represent simply the loss of something, an interruption, a deficit. But a small part of the jet of steam subsists, uncondensed, for some seconds; it is making an effort to raise the drops which are falling; it succeeds at most in retarding their fall. So, from an immense reservoir of life, jets must be gushing out unceasingly, of which each, falling back, is a world. The evolution of living species within this world represents what subsists of the primitive direction of the original jet, and of an impulsion which continues itself in a direction the inverse of materiality. But let us not carry too far this comparison. It gives us but a feeble and even deceptive image of reality, for the crack, the jet of steam, the forming of the drops, are determined necessarily, whereas the creation of a world is a free act, and the life within the material world participates in this liberty. Let us think rather of an action like that of raising the arm; then let us suppose that the arm, left to itself, falls back, and yet that there subsists in it, striving to raise it up again, something of the will that animates it. In this image of a creative action which unmakes itself we have already a more exact representation of matter. In vital activity we see, then, that which subsists of the direct movement in the inverted movement, a reality which is making itself in a reality which is unmaking itself.

Everything is obscure in the idea of creation if we think of things which are created and a thing which creates, as we habitually do, as the understanding cannot help doing. We shall show the origin of this illusion in our next chapter. It is natural to our intellect, whose function is essentially practical, made to present to us things and states rather than changes and acts. But things and states are only views, taken by our mind, of becoming. There are no things, there are only actions. More particularly, if I consider the world in which we live, I find that the automatic and strictly determined evolution of this well-knit whole is action which is unmaking itself, and that the unforeseen forms which life cuts out in it, forms capable of being themselves prolonged into unforeseen movements, represent the action that is making itself. Now, I have every reason to believe that the other worlds are analogous to ours, that things happen there in the same way. And I know they were not all constructed at the same time, since observation shows me, even to-day, nebulae in course of concentration. Now, if the same kind of action is going on everywhere, whether it is that which is unmaking itself or whether it is that which is striving to remake itself, I simply express this probable similitude when I speak of a centre from which worlds shoot out like rockets in a fireworks display—provided, however, that I do not present this centre as a thing, but as a continuity of shooting out. God thus defined, has nothing of the already made; He is unceasing life, action, freedom. Creation, so conceived, is not a mystery; we experience it in ourselves when we act freely. That new things can join things already existing is absurd, no doubt, since the thing results from a solidification performed by our understanding, and there are never any things other than those that the understanding has thus constituted. To speak of things creating themselves would therefore amount to saying that the understanding presents to itself more than it presents to itself—a self-contradictory affirmation, an empty and vain idea. But that action increases as it goes on, that it creates in the measure of its advance, is what each of us finds when he watches himself act. Things are constituted by the instantaneous cut which the understanding practices, at a given moment, on a flux of this kind, and what is mysterious when we compare the cuts together becomes clear when we relate them to the flux. Indeed, the modalities of creative action, in so far as it is still going on in the organization of living forms, are much simplified when they are taken in this way. Before the complexity of an organism and the practically infinite multitude of interwoven analyses and syntheses it presupposes, our understanding recoils disconcerted. That the simple play of physical and chemical forces, left to themselves, should have worked this marvel, we find hard to believe. And if it is a profound science which is at work, how are we to understand the influence exercised on this matter without form by this form without matter? But the difficulty arises from this, that we represent statically ready-made material particles juxtaposed to one another, and, also statically, an external cause which plasters upon them a skilfully contrived organization. In reality, life is a movement, materiality is the inverse movement, and each of these two movements is simple, the matter which forms a world being an undivided flux, and undivided also the life that runs through it, cutting out in it living beings all along its track. Of these two currents the second runs counter to the first, but the first obtains, all the same, something from the second. There results between them a modus vivendi, which is organization. This organization takes, for our senses and for our intellect, the form of parts entirely external to other parts in space and in time. Not only do we shut our eyes to the unity of the impulse which, passing through generations, links individuals with individuals, species with species, and makes of the whole series of the living one single immense wave flowing over matter, but each individual itself seems to us as an aggregate, aggregate of molecules and aggregate of facts. The reason of this lies in the structure of our intellect, which is formed to act on matter from without, and which succeeds by making, in the flux of the real, instantaneous cuts, each of which becomes, in its fixity, endlessly decomposable. Perceiving, in an organism, only parts external to parts, the understanding has the choice between two systems of explanation only: either to regard the infinitely complex (and thereby infinitely well-contrived) organization as a fortuitous concatenation of atoms, or to relate it to the incomprehensible influence of an external force that has grouped its elements together. But this complexity is the work of the understanding; this incomprehensibility is also its work. Let us try to see, no longer with the eyes of the intellect alone, which grasps only the already made and which looks from the outside, but with the spirit, I mean with that faculty of seeing which is immanent in the faculty of acting and which springs up, somehow, by the twisting of the will on itself, when action is turned into knowledge, like heat, so to say, into light. To movement, then, everything will be restored, and into movement everything will be resolved. Where the understanding, working on the image supposed to be fixed of the progressing action, shows us parts infinitely manifold and an order infinitely well contrived, we catch a glimpse of a simple process, an action which is making itself across an action of the same kind which is unmaking itself, like the fiery path torn by the last rocket of a fireworks display through the black cinders of the spent rockets that are falling dead.